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Tag Archives: Beverly Gordon

Features

Erica Wilson: Sharing Joy through Embroidery

Posted on August 3, 2020August 3, 2020 by Maxine Carter-Lome
Crewelwork sampler, one of the early projects worked by Erica at the Royal School of Needlework. Their first few projects were designed for them. Students had to pay for their own materials and most proudly kept their projects for the whole of their lives. 2015.0047.004 A, B, Gift of The Family of Erica Wilson, Courtesy of Winterthur Museum
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By Linda EatonJohn L. & Marjorie P. McGraw Director of Collections and the Senior Curator of Textiles at Winterthur Museum     Until relatively recently, scholarship on women’s needlework has focused on the 17th, 18th, and early 19th centuries. Susan Burrows Swan, whose book, Plain & Fancy, was first published in 1977 and reissued in 1995, […]

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Posted in Features  |  Tagged America's First Lady of stitchery, Betty Ring, Beverly Gordon, Candace Wheeler, Centennial Exhibition in Philadelphia, Columbia Minerva, Cooper Hewitt Smithsonian Design Museum, Cynthia Fowler, Designs of the Times, Edith Lynch, Elizabethan Lady, Embroidery, Erica Wilson, Girlhood Embroidery, Linda Eaton, Madison Avenue, Margaret Parshall, Marjorie P. McGraw, Millbrook, Mrs. Daryl, Nantucket, Needlework, needlework designer, New York, New York City, Painted with Thread, Paula Bradsteet Richter, Plain & Fancy, Royal School of Needlework, Samplers and the Modern Priscilla: The Images and Paradoxes of Colonial Revival Needlework, Spinning Wheels, Susan Burrows Swan, Textiles and Winterthur Museum, Vladimir Kagan, Walter Crane, Winterthur Musuem, Witherthur Porfolio, women's needlework
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