Page 49 - JOA 12-20
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Figure 10   Figure 11












                                                                                                       Figure 12








                                                                                                           Figure 15








               Figure 13


            Room, McKnight turned his attention to the Blue
            Room in 1995. In 1996 he rendered the Green Room
            in the same whimsical manner. Socks, the Presidential
            cat, appears in all  three views  (Fig. 12). American
            Greetings was printing 300,000 cards annually for the
            White House.
               Two of these same rooms had already provided the                       Figure 14
            themes for Ronald Reagan’s cards in 1982 and 1983 (Fig.
            13). Gibson Greeting Cards was granted the opportunity
            to produce 65,000 copies of James Steinmeyer’s faithfully
            detailed watercolor of the Red Room. Hallmark resumed its      Figure 16                                              Figure 17
            customary role the following year when asked to provide 100,000
            copies of Mark Hampton’s complementary view of the Green
            Room. Artist Cindi Holt returned to the Red Room for George
            W. Bush’s 2004 card (Fig. 14).
               Fig. 15 brings us into the seldom-seen private upstairs quarters
            at the White House. For their 1991 card, George and Barbara
            Bush invited artist Kamil Kubik, a Czechoslovakian refugee, to
            depict their personal family Christmas arrangements in the
            second-floor Yellow Oval Room. With the following year’s
            card, the same artist takes us outside for an impressionistic view
            of the National Christmas Tree glowing with patriotic colors
            (Fig. 16).
               A hint of a more somber White House Christmas marked George W. Bush’s first official card only
            three months after the September 11, 2001 attacks  (Fig. 17). Pennsylvania artist Adrian Martinez
            depicted several wrapped packages left unopened beneath an eagle sconce and Mary Cassatt’s painting,
            Young Mother and Two Children, in the mansion’s private second floor corridor. This card’s message
            included a Biblical quote for the first time.
               White House interiors appear on several other Presidential Christmas cards as well.
            Most have presented the more familiar public spaces–the East Room, State Dining
            Room, and even the Oval Office. For Barack Obama’s 2011 card, California artist
            Mark Matuszak focused on Presidential pooch Bo enjoying a fireplace in the cozy                                        Figure 18
            White House Library (Fig. 18). The entire First Family—even the dog—“signed” this
            card. In keeping with the times, its reverse certifies that the
            card was printed on recycled paper by union workers.
               Mid-century Presidents sent out several tens of
            thousands of cards, as compared with the several
            hundred thousand mailed by recent administrations each
            year. As President, LBJ had to stick a nickel stamp on
            each of his greetings. Obama’s cards carried almost ten
            times as much postage (49 cents). The substantial costs
            of designing, printing, addressing, and sending
            all those holiday messages are borne by the
            President’s political party. After all, modern cynics
            perhaps justifiably consider the White House Christmas card as just one more tool in the political arsenal.


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