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Henry was not the only
                                                                Thoreau to enjoy this
                                                                pastime; his sister Sophia
                                                                often joined him on walks
                                                                around Concord. Together,
                                                                they collected specimens that
                                                                Sophia later fashioned into
                                                                unique works of art, such
                                                                as a checkerboard onto
                                                                which Sophia affixed small
                                                                ferns, leaves, and spores from
                                                                varying plants (figure 9).
                                                                  After Thoreau died in
                                                                1862 at the age of 44, Sophia
                                                                began inscribing poems on
                                                                leaves she had flattened and
                                                                dried in her flower press.
                                                                One example came from a
                                                                shagbark hickory tree. “It is
                                                                as a leaf which hangs over my
                                                                head in the path,” recorded
                                                                Henry in his journal; “I bend
                                                                the twig and write my prayers   Figure 9: Checkerboard made by Sophia E. Thoreau, c.1860.
                                                                on it then letting it go the     Th117, Gift of Miss Sarah (Sally) R. Bartlett (1965).
                                                                bough springs up and shows                photo courtesy of the Concord Museum
                                                                the scrawl to heaven.” (figure
                                                                10) The poem on this specimen, written by Thoreau in 1837, refers to “Fair Haven,” a
                                                                place near the widening of the Sudbury River between Concord and Lincoln where
                                                                brother and sister had walked together. The poem’s ending reads: “And when I take my
                                                                last long rest,/And quiet sleep my grave in,/What kindlier covering for my breast,/Than
                                                                thy warm turf Fair Haven.”

                                                                  “Time is but the stream I go a-fishing in.”
                                Figure 8: Lygodium palmatum,
                                  collected by Henry Thoreau.     Henry David Thoreau’s impact is not only measured by his literary achievements,
                                photo courtesy of Harvard University Herbaria
                                                                but by the work he did to expand our knowledge about the natural world and human
                                                                life within it. Thoreau’s passion for collecting, and the varied objects he collected, made
                                                                him iconic not only within the Transcendentalist movement but also within the
                                                                budding fields of natural science, ecology and environmentalism. Not to mention, his
            impressive collection of historical artifacts contributed to a local
            antiquarian movement spearheaded by Concord Museum
            founder Cummings E. Davis (1816-1896).
               After Thoreau’s death, Cummings Davis continued to collect
            artifacts that represented Thoreau’s life and interests, including
            architectural fragments of Thoreau’s birthplace, his schoolboy
            ruler, the pen he last wrote with, and the caned bedstead on
            which he died. When Sophia Thoreau moved to Maine a decade
            after her brother’s death, Davis purchased many items at the
            Thoreau auction in 1873. Many other objects, purchased by
            others at the auction, were subsequently given to the Museum.
               Today, people continue to take inspiration from Henry
            David Thoreau's life, work, and collecting. His philosophy
            remains potent during these uncertain times: “Live in each season
            as it passes; breathe the air, drink the drink, taste the fruit, and
            resign yourself to the influence of the earth.”


            About the Museum: The Concord Museum educates visitors of all ages about
            the history of Concord and its continuing influence on American political,
            literary and cultural life. The Museum’s nationally significant collection serves
            as a catalyst for changing exhibitions, extended classroom learning, dynamic
            programs, and publications relevant to an ever-changing world. Founded in
            1886, the Museum is a center of cultural enjoyment for the region and a
            gateway to the town of Concord for visitors from around the world.

            Author bio: Erica Lome is the Decorative Arts Trust Curatorial Associate at
            the Concord Museum. She holds a Ph.D. in History from the American
            Civilization Program at the University of Delaware and a MA in Decorative
            Arts, Design History, and Material Culture from the Bard Graduate Center.

            photo behind text: Walden Pond, courtesy Erica Lome, Ph. D.              Figure 10: Shagbark hickory leaf specimen inscribed by Sophia E. Thoreau,
                                                                                            October 13, 1868. GM340B, Gift of Mr. W.J.R. Taylor (1949).
                                                                                                                       photo courtesy of the Concord Museum


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