Page 18 - JOA-2-22
P. 18

On Topic … Information and News



                                                     Black                       Heritage Square and Emancipation Arts LLC were recently awarded
                                                     American                 a grant from Arizona for continued work on  The Great Migration in
                                                                              Arizona History Project. The project consists of five related activities
                                                     Portraits on             designed to collect, preserve, and share the African American experience
                                                     Tour Now at              in Arizona and builds on work already begun by Emancipation Arts
                                                                              which includes an oral history workshop for youth and senior citizens, a
                                                     LACMA                    statewide call for essays, an exhibition companion guide for teachers, and
                                                     through April            an archives workshop. The impact of The Great Migration in Arizona

                                                     17, 2022                 has had little acknowledgment in politics, education, or media.
                                                                              As a result, African-American residents have been locked into an
                                                                              indiscernible status. Furthermore, the history of African Americans has
                                                        To complement the
                                                     presentation of  The     been distilled to a few rote incidents and names with little insight or
                                                                              relevance to current-day realities.
                                                     Obama Portraits by          The Great Migration in Arizona History Project seeks to recognize
                                                     Kehinde Wiley and        African-American residents as Indiscernibles and to transform them
                                                     Amy Sherald on tour      into residents who are valued and feel they belong. This work is needed
                                                     from the Smithsonian’s   now more than ever as our society struggles with justice for all and a
               Portrait of a Sailor (Paul Cuffe?) circa 1800  National Portrait Gallery   legacy of abuse of African-Americans and Blacks.
                                                     (NPG), the Los Angeles
                                                                                 “We are thrilled to receive support from Arizona Humanities for our
            County Museum of Art (LACMA) presents Black American Portraits:   continued partnership with Emancipation Arts.” said Executive
            Remembering Two Centuries of Black American Art. Guest curated by   Director of Heritage Square, Kari Carlisle. “These programs are
            David Driskell at LACMA 45 years ago, this exhibition reframes por-  important to the strategic direction of Heritage Square and strengthen
            traiture to center Black American subjects, sitters, and spaces. Spanning   our ties to the community. Our partnerships with SRP (srpnet.com)
            over two centuries from c. 1800 to the present day, this selection of   and ASU’s Virginia G. Piper Center for Creative Writing
            approximately 150 works draws primarily from LACMA’s permanent    (piper.asu.edu) contribute greatly to this project’s success.”
            collection. The featured portraits highlight Black American portraiture   Heritage Square is a 501c-3 nonprofit organization, dedicated to
            from Emancipation and early studio photography through the Harlem   preserving and sharing the stories, collection, historic buildings and grounds
            Renaissance, the Civil Rights and Black Power eras, and into the 1990s.   of Heritage Square, serving as a relevant, engaging, and inclusive
            Black American Portraits chronicles the ways in which Black Americans   community resource and as a tangible connection to our diverse local
            have used portraiture to envision themselves in their own eyes.   history. Learn more at www.heritagesquarephx.org
               Countering a visual culture that often demonizes Blackness and
            fetishizes the spectacle of Black pain, these images center on love,                      W
            abundance, family, community, and exuberance.
               The Black American Portraits exhibition soundtrack is available,
            and celebrates the radiance of Black musical culture in its most joyful                                Afro-Atlantic
            forms, featuring song selections from several of the artists represented                               Histories Touring
            in the show: Karon Davis, Reggie Burrows Hodges, Shinique Smith,                                       Exhibit
            and Umar Rashid, alongside additional song curation by dublab’s Mark
            “Frosty” McNeill.                                                                                         Afro-Atlantic   Histories
               Credit: This exhibition is organized by the Los Angeles County Museum                               juxtaposes works by artists
            of Art. For more information, visit www.lacma.org/art/exhibition/black-                                from 24 countries, representing
            american-portraits                                                                                     evolving perspectives across
                                   W                                                                               time and geography through
                                                     The Great                                                     major paintings, drawings
                                                                                                                   and prints, sculptures, photo-
                                                     Migration:                                                    graphs, time-based media art,
                                                     Indiscernibles                                                and ephemera.  The range
                                                                                                                   extends from historical paint-
                                                     In Arizona                  Into Bondage by Aaron Douglas, 1936,   ings by Frans Post, Jean-
                                                        New to Heritage          oil on canvas, National Gallery of Art,   Baptiste Debret, and Dirk
                                                     Square (Phoenix, AZ),        Washington, DC, Corcoran Collection  Valkenburg to contemporary
                                                     this exhibit explores                                         works by Ibrahim Mahama,
                                                     Arizona’s part in the    Kara Walker, and Melvin Edwards.
                                                     migration of African        Maps and Margins illustrates the beginnings of the slave trade as it
                                                     Americans from the       unfolded across the Atlantic between Africa, the Americas, and Europe.
            rural South to the cities of the North, Midwest, and West from approx-  Highlights include artworks which reference the widely reproduced
            imately 1915 to 1970. Mainstream narratives of the state have previously   British Abolitionist document “description of a slave ship” (1789), an
            marginalized Black people and left out their stories, rendering them   illustration that clinically detailed a slave ship’s cargo hold; and Aaron
            indiscernible. This exhibit tells their story, exploring the search for new   Douglas’ painting  Into Bondage  (1936), a powerful portrayal of the
            beginnings and financial opportunity, as well as the experiences of   moment when a group of Africans are taken to a slave ship bound for
            racism and isolation faced by both early migratory cotton pickers and   the Americas.
            newer residents. It provides a glimpse into the lives of ordinary Black   Portraits spotlights Black leaders of the 18th and 19th centuries who
            Arizonans, celebrates the survival of their ancestors, and of their estab-  have not traditionally been memorialized in historical American and
            lishment of enduring and thriving communities in the Valley of the Sun.   European portraiture.
               This exhibit is part of a larger multi-disciplinary project of the same   Everyday Lives features images of daily life in Black communities
            name developed by Emancipation Arts, LLC in collaboration with    during and after slavery, in realistic and romanticized views.
            ASU’s School of Human Evolution and Social Change.


            16          Journal of Antiques and Collectibles
   13   14   15   16   17   18   19   20   21   22   23