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workpants for his customers using Levi Strauss       LEE
                                denim and believed he had the perfect solution.
                                 The pants he was making for miners weren’t
                                 tough enough to stand up to the conditions in
                                  local mines; among other issues, the pockets
                                  and button fly were constantly being torn. “A
                                  miner’s wife came up to Davis and asked him
                                  to come up with pants that could withstand
                                 some abuse,” says Nancy Davis (no relation),
                                curator of the American History Museum.
                               Davis looked at the metal fasteners he used on
                             harnesses and other objects. “At that time, he came
                             up with the riveted trousers.”
          In 1871, Reno tailor
         Jacob Davis thought to   As local miners snapped up the overalls he made
           use metal rivets to   with rivet-strengthened stress points and durable
        strengthen pants, leading   “duck cloth,” a type of canvas, Davis realized he
          to Levi’s blue jeans.   needed to protect his idea. Lacking the money to        Henry David Lee              1928 photograph of the H. D. Lee
                             file for a patent on his own, Davis wrote to Levi   (December 9, 1849 – March 15, 1928)     Company in Kansas City, MO
                                    Strauss in 1872 about his method of
                                    strengthening work pants by using metal      In 1889, Henry David Lee, born in Vermont, founded the
                                    rivets on the stress points: the corners of the   H. D. Lee Mercantile Company in Salina, Kansas, producing blue
                                    pockets and the base of the button fly and   jeans, overalls, and jackets. The growth of Lee was prompted by the
                                    Strauss agreed to support Davis’ idea. On   introduction of the Union-All work jumpsuit in 1913, and in 1927, the
                                    May 20, 1873, the pair was issued a patent   Company became the first garment manufacturer to use a “hookless
                                    for “Improvement in Fastening Pocket-     fastener”— or zipper—in cowboy pants, overalls, coveralls, and
                                    Openings.” According to Levi’s company’s   playsuits, replacing buttons. This was a game-changer for the Lee brand
                                    timeline, the original design had “one back   and broadened the appeal of denim work clothes.
                                    pocket with the Arcuate stitching design     Lee focused on the durability of its clothes in its marketing. In 1925,
                                    (the same design they have today), a watch   the Company teamed up with Canton Mills of Canton, Georgia, to
                                    pocket, a cinch, suspender buttons and a   develop the strongest and bluest denim in the market for durable work
                                    rivet in the crotch. The rivets on the back   and western wear. In a 1939 publicity stunt, Lee’s “Jelt” Lee j denim
                                    pockets were exposed.”                    survived Ripley’s Believe It or Not! 26-mile crawl across untreated concrete.
                                       Davis soon moved to San Francisco,
                                    and wide-scale production of riveted pants
                                    started for the first time under the brand
                                    name Levi Strauss & Co. with a label that
        Illustration from the 1873 patent   clearly proclaimed: “Patent Riveted Duck
        application for riveted blue jeans.  & Denim Clothing … Every Pair
                                    Guaranteed. None Genuine Unless
                                    Bearing This Label.” By the time their
            patent expired in 1890, Levi Strauss & Co. was an established brand
            among American workers; however, it was Levi’s 501 style, issued in
            1890, that moved Levi’s blue jeans outside of the working-class demo-
            graphic and into the embrace of everyday casual fashion as people,
            other than blue-collar workers, began wearing jeans, according to the
            Smithsonian’s Davis.
               Levi Strauss passed away in 1902, and by 1911 the company was
            owned and operated by Strauss’s nephews, Jacob, Louis, Abraham, and                                          An original 13” x 10” photo
                                                                                                                          selling on eBay for $8 was
            Sigmund Stern. Due to customer demand, they stopped making blue                                            from a photo shoot for a Lee Riders
            jeans out of cotton duck and stuck strictly to denim, considering it a                                       ad that ran in Life magazine
            superior fabric that was strong, comfortable, and became more com-                                                 in the 1960s.
            fortable with each wash – ideal for manual labor workers in the mines
            and on the railroad. By the 1930s, it wasn’t just manual laborers that
            needed a pair of blue jeans — the growing fascination with cowboys,   Lee jeans were also known for their small, rounded back pockets
            dude ranches, and John Wayne in Western movies had everyone want-  that had a wide placement. It is said that the reason for this was to make
            ing the western look. It did not take long before new companies entered   the jeans more comfortable to wear when seated in the saddle and they
            the market with their own versions of blue jean western wear.
                                                                              could also be reached without the need to stand up in the saddle.
                                                                                 Lee’s iconic Ryders and jean jackets became the brand’s most
                                                                              popular and defining style. Lady Lee Riders were introduced to the
                                                                              market in 1947. From that point on, Lee’s workwear clothing was
                                                                              silhouetted into fashion wear for men and women, from bell bottom
                                                                              jeans and painter’s jackets to “Leisure” suits and dressed-up western cut
                                                                              and styled denim outfits.
                                                                                 When it comes to desirable vintage Lees, look in particular for the
                                                                              tags to identify styles from the 1950s and ‘60s (the tags remained
                                                                              similar in design to the 1950s in the 1960s). During this era, Lee start-
                                                                              ed to include information about the materials used (100% cotton) and
                                                                              added Made in the USA on some of its tags. In demand from this fash-
                                                                              ion era are bib-overalls, coveralls, the Loco jacket, cowboy jeans,
                                                                              101z jeans, the Rider jacket, and the Storm Rider jacket.

                    The Two-Horse Brand 1915 Levi Strauss & Co. advertisement
            16                Journal of Antiques and Collectibles
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