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Cameos
                                                            Cameos










                                                             wearable sculpture in reliefpture in relief
                                                             wearable scul












                                                                                                                   by Maxine Carter-Lome, publisher




                   ameos are one of the most widely recognized types of jewelry.   have in fact been worn and
                   Many of us may even own a piece, most probably handed down   coveted  as    frequently
            Cfrom a family member. These miniature relief sculptures have a   through the centuries by
            history that pre-dates the birth of Christ by 300 years, with origins in   men and were used to adorn
            the ancient carving traditions of the Egyptians, says Anna M. Miller,   helmets and military acces-
            author of the book, Cameos, Old & New.                            sories like breastplates and
               In the centuries since, cameos have been used for various purposes,   sword handles. During the
            made from a range of materials, and nearly always featured a raised   Renaissance, Pope Paul II was an
            (positive) relief image, most notably women’s profiles and scenes or   avid cameo collector. According to
            personalities from Greek mythology.                               history, this love ultimately led to   Empress Josephine’s shell cameo diadem,
                                                                              his death. His excessive display of   presented to her by her brother-in-law
                                                                                                                 Joachim Murat, Empire period 1804–15
                                                                                      carved gems and stones on   gold, shell, mother-of-pearl, cameos, pearls,
                                                                                       his fingers kept his hands   precious and semi-precious stones.
                                                                                       so cold that he caught the
                                                                                       chill that meant his death. Cameos enchanted Napoléon, who
                                                                                       wore a cameo to his own wedding and founded a school in
                                                                                      Paris to teach the art of cameo carving to young apprentices.
                                                                                  Women began collecting cameos to prove cultural status
                                                                              during the Elizabethan period when a single hand-carved semi-precious
           Four shell cameo portraits of the Hunt brothers bezel-set in gold, joined by figure-eight   gem or cameo was an extremely rare and treasured possession. But it
                 links, completed by a box clasp, c. about 1840  photo: Boston Fine Arts Museum  was during the early 19th century that the cameo moved from the
                                                                              realm of the wealthy cabinet collector to a broader audience.
            Made in the Gods’ Images
               Early Greek and Roman carvings showed images of gods and       Times of Travel and Collecting
            goddesses, themes from Greek mythology, beautiful women, and biblical                             Conch shell cameos were still being
            events. “The subject matter rarely varied, most cameos—whether ancient                         carved by hand at the turn of the 20th
            or 17th, 18th or 19th century—tended to depict scenes or personalities                         century, mostly by artisans along the
            from Greek mythology. The universal appeal of tales of love, loss,                             Italian coast. They grew in popularity
            deception, and magic endured,” says Michelle Rowan, owner of antique                           partially because the relative ease of
            store Rowan & Rowan and author of Nineteenth Century Cameos.                                   carving into shell over stone opened
               “While mythology has been the predominant theme of cameos,”                                 up a whole new level of artistry. It also
            says Emily Stoehrer, the Rita J. Kaplan and Susan B. Kaplan Curator                            allowed for production carving, which
            of Jewelry at the Museum of Fine Arts, Boston, “some were commis-                              was faster and more formulaic. The
            sioned to depict real people, a particularly good example of which can                         end result was a cameo that was both
            be found in bracelet-form in the Museum of Fine Arts, Boston’s                                 affordable and beautiful.
            permanent collection. The bracelet has four cameos representing the                               Cameos quickly became the perfect
            Hunt brothers, each one is in the likeness of one of the four brothers                         souvenir for those on their “Grand
            and it was donated to the Museum of Fine Arts by their sister.” (above)   Cameos come in all sizes, forms,   Tour” of Europe to experience the art
               Many tend to associate antique cameos with such decorative        materials, subjects, and colors.    and culture and mild climate of Italy
            women's jewelry as rings, brooches, bracelets, and pendants, yet cameos   This is an example of a carnelian   and Greece. They would return from
                                                                                     shell cameo brooch

            Title image: The profile of a striking classical beauty is masterfully hand carved in white onyx, highlighted by a subtle black aura, in this exquisite Edwardian pendant
            necklace. The cameo is elegantly presented in a delicate frame, hand fabricated in platinum over 18K yellow gold, dotted all around with lustrous natural seed pearls and
            four European-cut diamonds. A romantic and ravishing early-20th-century treasure. photo: Lang Antiques
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