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Modern serving ware designs for Chase, by Russel Wright.    Curl Candlesticks, designed for   Imagination runs rampant in an assortment of
              Clockwise from left: Cocktail Ball on Olympia Saucer; Pancake &   Chase by Dr. Albert Reimann.    Walter Von Nessen Chase designs. Clockwise from lower left:
             Corn Set; Devonshire Pitcher; Antarctic Ice Bowl; Individual Coffee                 Olympia Dessert Dish; Continental Coffee Making Service;
                              Set; Ice Bowl & Tongs.                                              Compote; Round Tray; Ring Vase; Taurex Candlestick
                                                                                                            (Uneven); Ring Book Ends.
            … all of these existed concurrently with the shimmering modernity of   Leading the industrial design pack was the Chase Brass & Copper
            Chase chrome, the brushed splendor of Kensington aluminum, and the   Co. From 1933 to 1942, Chase turned out a gleaming (and seemingly
            opaque solemnity of Frankart nudes. Opposite poles of the visual    endless), array of buffet service articles, drinking and smoking
            spectrum collided, propelled by an explosion of artistic energy.    accessories, lamps, and assorted home décor items. Fashioned
            That’s why Art Deco design is so satisfying and has such                 primarily of brass, copper, or the newly popular chromium,
            longevity. It offers, quite literally, something for everyone.             these “Chase Specialties” were truly what etiquette expert
                                                                                         Emily Post (on the Chase payroll as “design advisor”)
            Domestic Deco                                                                 praised as “the answer to the housewife’s prayer.” They
               A case in point: Art Deco items for the home.                               provided a look of elegance, they were easy to care for,
            While some serve a purely decorative function,                                  and, best of all, they were available at prices Depression
            the majority incorporate usefulness into their                                   buyers could afford.
            art. That’s because manufacturing firms were                                         “Today’s homemaker,” noted Mrs. Post, “must be
            faced with a Depression-based dilemma.                                             Mrs. 3-in-1: cook and waitress, as well as hostess.”
            Bowls, plates, coffeepots, vases, and other home                                    Lavish evenings out were a thing of the past.
            accessories had been around for ages. What could                                      Replacing them: the new (and cheaper) vogue for
            possibly persuade buyers in a depressed economy to                                     at-home entertaining – but even cash-strapped
            purchase new items, when older ones were still                                            party-givers wanted homes that looked their
            performing reasonably well? The answer was to                                               best. With Chase serving pieces on hand,
            promote the new as “improved” versions of the old,                                          “Mrs. 3-in-1’s” parties were certain to be
            efficiently addressing the three concerns of primary                                        those that Mrs. Post called “far and away
            importance to consumers: usefulness, cost, and                                              the most popular.” “It’s smart to be
            appearance. That task fell to a Deco-spawned new   The gazelle, a popular Art Deco emblem,   informal,” said Emily, “and Chase makes
            breed: the industrial designer.                   appeared in many guises, including on                informality smart!”
               Generally contracted as free agents, these wonder-  this nightlight by Camille Tharaud, the   While Chase ads stressed that the company’s
            workers were sought after by companies that turned   French master of Art Deco porcelain.  metal giftwares were “not meant to compete with
            out products as diverse as washing machines,                                       solid silver,” they of course did – and, in the opinion
            automobiles, porch furniture, and refrigerators. The talent of the     of many housewives, Chase was clearly the winner. In homes without
            industrial designer was an uncanny ability to modernize the mundane   squadrons of servants, there was little time (or inclination) to polish up
            – and to do so without compromising form or function.             the family silver before and after each dinner party. With Chase, all it


























            The French retailer Robj was known   Frankart’s Lady on Book bookends.    From the studio of acclaimed   A Ruth Gerth design for Chase,
             for its ceramic line, particularly an   Arthur von Frankenberg’s Manhattan-based   Deco glass artisan Charles   “suggestive of the wine feast of Roman days,”
             imaginative series of Deco decanters.   studio was noted for its female nude statuettes,   Schneider, two vases in the   coupled with a modern influence
               This Robj Orange Merchant    which graced everything from ashtrays and   Schneider signature shade:   – Bacchus Pitcher & Goblets.
               decanter was originally filled    bookends, to clocks and candy bowls.  Tango Orange.
                  with Curacao liqueur.
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